Les vingt-quatre albums studio originaux des Kinks sont les suivantes : Plusieurs chansons des Kinks ont été adaptées notamment en français, surtout dans les années 1960 : Des artistes internationaux ont aussi repris de nombreux titres du groupe : Un article de Wikipédia, l'encyclopédie libre. July 22, 1995 Oakdale Musical Theatre, Wallingford, CT

[97] Before their return to the US, the Kinks recorded another album, Arthur (Or the Decline and Fall of the British Empire). [28] "Long Tall Sally" was released in February 1964, but despite the publicity efforts of the band's managers, the single was almost completely ignored. [18] He then formed his own group, Rod Stewart and the Moonrakers, who became a local rival to the Ray Davies Quartet. Some of the double tracking on that is appalling. [157] However, hopes for a reunion were dashed in June 2004 when Dave suffered a stroke while exiting an elevator, temporarily impairing his ability to speak and play guitar. He would continue to occasionally substitute for Avory in the studio and play on several of the Kinks' early singles, including the early hits "You Really Got Me", "All Day and All of the Night" and "Tired of Waiting for You". [3] John Dalton left the band before finishing the sessions for the debut Arista album. We must get one of those. Bobby Graham, a friend of the band,[27] was recruited to play drums on the recording. [90] The underground Boston paper Fusion published a review stating, "the Kinks continue, despite the odds, the bad press and their demonstrated lot, to come across. Le single suivant des Kinks, Waterloo Sunset, paraît en mai 1967. Ce qui me ferait répondre "oui" ou "non" serait de savoir si oui ou non, nous pourrions faire de nouvelles chansons ». [140][141] The film gave actor Tim Roth a significant early role. Originally released as a 12″ single in the United States, 12 March 1979, and in the United Kingdom, March 1979. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, the album contains many songs that appeal to current events of the time.
Studio engineer John Rollo said of these initial sessions, "The album before Low Budget, [Misfits] was beautifully recorded, but not that rock and roll.

L'album The Kinks Are the Village Green Preservation Society, sorti en 1968, marque l'apogée de cette tendance pastorale, à contre-courant du psychédélisme à la mode. In 2018, after years of ruling out a reunion, Ray Davies and Dave Davies announced they were working to reform the Kinks. [35] The band used an independent studio, IBC, and went in on 15 July, getting it done in two takes.

pp. Consisting largely of covers and revamped traditional songs, it was released on 2 October 1964, reaching number four on the UK chart. ... Ray works to a formula, not a feeling, and it's becoming rather boring. [112] Davies became depressed; during a July gig at White City Stadium he told the audience he was "fucking sick of the whole thing", and was retiring. La dernière modification de cette page a été faite le 8 septembre 2020 à 06:28. [6] It also became the group's first Top 20 hit in the UK since 1972, peaking at number 12 in the charts. In Jon Savage's analysis, they "needed a gimmick, some edge to get them attention. Proby), July 16, 1964 Assembly Hall, Worthing, ENG (supported by The Paramounts and The Preachers), July 18, 1964 Dungeon Club, Nottingham, ENG, July 19, 1964 Princess Theatre, Torquay, ENG (The Billy J. Kramer Show, with Billy J. Kramer & The Dakotas, Billy Maxwell & His Orchestra, The Barracudas, Chris Carlsen, and The Other Two), July 21, 1964 Fabulous Queens Ballroom, Cleveleys, ENG (supported by Barry Langtree & The Lancastrians), July 24, 1964 Friday Beat Club, London, ENG, July 26, 1964 Princess Club, Manchester, ENG, July 31, 1964 Goldhawk Social Club, London, ENG, August 2, 1964 Gaumont Cinema, Bournemouth, ENG (supporting The Beatles, with Mike Berry and Adrienne Posta), August 7, 1964 The Cavern, Manchester, ENG, August 8, 1964 Imperial Ballroom, Nelson, ENG (supported by The Mustangs and The Saracens), August 9, 1964 Dungeon Club, Nottingham, ENG, August 14, 1964 Wallington Public Hall, Wallington, ENG, August 15, 1964 St. George's Ballroom, Hinckley, ENG, August 16, 1964 Opera House, Blackpool, ENG (2 shows 6.20 & 8.15, supporting The Beatles, with Tony Marsh, Adrienne Poster, Val McCallum, The High Numbers, and The Hearts), August 21, 1964 Jungfrau, Manchester, ENG, August 22, 1964 Market Hall, Redhill, ENG, August 26, 1964 The Cavern, Manchester, ENG, August 28, 1964 Goldhawk Social Club, London, ENG (supported by The Clique), August 29, 1964 Mersey View Pleasure Grounds, Frodsham, ENG, August 30, 1964 Queens Theatre, Blackpool, ENG (supported by The Searchers, The High Numbers, Jon Best & The Challengers, and Val McCallum), September 1, 1964 Town Hall, High Wycombe, ENG, September 3, 1964 Neald Hall, Chippenham, ENG, September 4, 1964 Mecca Ballroom, Basildon, ENG (2 shows, supported by The Swinging Blue Jeans), September 5, 1964 Locarno Ballroom, Brighton, ENG, September 6, 1964 Princess Theatre, Torquay, ENG (supported by Tommy Quickly & Company), September 7, 1964 Silverblades Ice Rink, London, ENG, September 7, 1964 Playhouse Theatre, London, ENG (UK Radio "Saturday Club" performing "Got Love If You Want It", "Little Queenie", "Cadillac" & "You Really Got Me"), September 9, 1964 100 Club, London, ENG (supported by Danny & The Torinos), September 11, 1964 Princess Ballroom, Halifax, ENG, September 12, 1964 Memorial Hall, Northwich, ENG (supported by Johnny Ringo & The Colts), September 13, 1964 Queen's Theatre, Blackpool, ENG (supported by The Nashville Teens), September 14, 1964 Majestic Ballroom, Newcastle, ENG (supported by The Teenbeats), September 15, 1964 Fabulous Queen's Ballroom, Cleveleys, ENG, September 17, 1964 Gala Ballroom, Norwich, ENG, September 18, 1964 R&B Scene, Rochdale, ENG, September 19, 1964 Palais de Danse, Bury, ENG (supported by The Trendsetters), September 20, 1964 King Mojo Club, Sheffield, ENG, September 21, 1964 Golden Diamond Social Club, Sutton, ENG (cancelled), September 24, 1964 Carlton Ballroom, Birmingham, ENG, September 25, 1964 Casino Club, Burnley, ENG (supported by The Avalons and The Mustangs), September 26, 1964 Vaughan Hall, Deeside, WAL, September 27, 1964 Queen's Theatre, Blackpool, ENG (supported by Marianne Faithful, The Paramounts, Jerry Stevens, The Quotations, The Puppets, and The Rustiks), September 28, 1964 Jubilee Hall, Burton, ENG (supported by The Vibrons), September 29, 1964 Theatre Royal, King's Lynn, ENG (Top-In-Pops, with The Merseybeats, Russ Sainty & The Nu-Notes, The Other Two, The Herd, and The Missing Links), September 30, 1964 Odeon Theatre, Glasgow, SCOT (2 shows, Billy J. Kramer Show, with Billy J. Kramer & The Dakotas, The Ronettes, Cliff Bennett & The Rebel Rousers, The Bill Black Combo, The Yardbirds, and The Nashville Teens), September ?, 1964 (UK Radio "60's At The Beeb" performing "You Really Got Me" & "All The Day And All Of The Night"), October 2, 1964 Floral Hall, Morecambe, ENG, October 3, 1964 Astoria Ballroom, Rossendale, ENG (supported by Ian Dean & The Brystals and Curt's Creatures), October 4, 1964 New Pyramid Club, Rochdale, ENG, (October 7-18, 1964, with Billy J. Kramer & The Dakotas, Cliff Bennett & The Rebel Rousers, The Bill Black Combo, The Yardbirds, and The Nashville Teens, unless noted. In addition, groups such as Van Halen, the Jam, the Knack, the Pretenders, The Raincoats and the Fall covered their songs, helping to boost the Kinks' record sales.

Les Kinks en 1965, dans leur formation originale : « il leur fallait un truc, un moyen d'attirer l'attention.
July 29, 1995 Stratton Mountain Resort, Stratton Mountain, VT [126] The record was a modest success, peaking at number 45 on the Billboard charts.[6][126]. Les Kinks entament leur tournée nord-américaine en octobre, mais elle se passe plus mal que prévu : le groupe peine à trouver des promoteurs coopératifs et un public intéressé, si bien que de nombreuses dates sont annulées. '"[26] Ray Davies' account conflicts with Wace's—he recalled that the name was coined by Larry Page, and referenced their "kinky" fashion sense.

Retrieved 15 January 2020. The band, which rose to fame during the mid-1960s and were part of the British Invasion of the US, are recognised as one of the most important and influential rock groups of the era. [61] Despite this, it managed only a meagre chart peak of 135—a sign of the band's flagging popularity in the American market. [6] In 1989, the Kinks released UK Jive, a commercial failure, making only a momentary entry into the album charts at number 122. In 1980, the group's third live album, One for the Road, was produced, along with a video of the same title, bringing the group's concert-drawing power to a peak that would last into 1983.


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